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Los Angeles Conservancy, 523 W. 6th Street, Suite 826, Los Angeles, CA  90014
tel: 213-623-2489, fax: 213-623-3909
info@laconservancy.org

About the Los Angeles Conservancy
 
COLUMBIA SAVINGS BUILDING

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Slideshow

The 1965 Columbia Savings Building on the Miracle Mile was demolished in January 2010 despite an intensive preservation effort. The building was an important example of postwar bank design as well as the innovative integration of art and architecture. Most recently, the building had served as Wilshire Grace Church.

This issue underscores the plight of buildings from our recent past that are not yet fully understood or appreciated. The Sixties Turn 50 program by the Conservancy and our Modern Committee is working hard to build awareness of our rich legacy of 1960s architecture, but we clearly have far to go.

About the Building

The Columbia Savings building’s bold design and transparency exemplified the new trend in postwar bank design. Photo by Marvin Rand.

The Columbia Savings building was designed by architect Irving Shapiro and completed in 1965.

The result of a design competition for the new Home Office of Columbia Savings and Loan Association, Shapiro’s winning design was selected over competing entries from Charles Luckman Associates and the Bank Building & Equipment Corporation of America.

The iconic building was profiled in the prestigious French architecture journal L’architecture d’aujourd’hui the following year.

Postcard image of Columbia Savings building, 1965. Courtesy Marcello Vavala.

American bank architecture underwent an incredible transformation following World War II. As financial institutions nationwide analyzed the need for progressive banking methods, architects responded by radically reinventing the bank’s form.

With its bold design, expansive use of glass for transparency, and integrated program of abstract art, the Columbia Savings building was an exceptional example of national postwar banking trends.

Columbia Savings building’s 85-foot-tall signage. Photo by Gabriel Monroy.

Displaying the influence of New Formalism, the building’s modernist form and symmetry represented a reinterpretation of the classically inspired banks of the turn-of-the-twentieth century.

Exceptional signage included two sculptural pylons soaring eighty-five-feet tall. Visible from great distances, their incredible height marked the evolution of building signage in response to Los Angeles’ auto-oriented society.

Detail of 1,300-square-foot dalle-de-verre skylight designed by artist Roger Darricarrere. Photo by David Ruth.

The bank's design integrated significant works of abstract art, including a 45-foot-long brass screen-waterfall sculptural fountain by local artist Taki and a 1,300-square-foot dalle-de-verre (faceted glass) stained-glass skylight by acclaimed artist Roger Darricarrere that crowned the interior light well. These works were salvaged for sale before the building's demolition.

The Effort to Save It

In mid-2008, the Columbia Savings Building was threatened with demolition as part of the Wilshire La Brea Project. This project sought the redevelopment of the entire block bounded by Wilshire Boulevard, Eighth Street, and La Brea and Sycamore Avenues. Everything on the block, including the Columbia Savings Building, would be replaced with mixed-use retail and restaurant space and 480 apartment units.

The Conservancy responded to the project's environmental impact report (EIR) with detailed information about the building’s significance. Although creative options existed for reusing the building while meeting most of the project objectives, the building's significance was ignored throughout the environmental review process. The city's Planning Commission voted on August 13, 2009 to recommend certification of the project EIR.

Interior of the Columbia Savings Building with its beautiful dalle-de-verre skylight. Photo by Lee Auslender.

In an effort to definitively prove the building’s historic significance—and require consideration of preservation alternatives in the EIR —the Conservancy nominated the building for listing in the California Register of Historical Resources.

The nomination was scheduled to be heard in January 2010. The Conservancy urged the city's Planning and Land Use Management (PLUM) Committee to postpone its vote on the final EIR until the State Historic Resources Commission had a chance to review the nomination. Our plea went unheeded. On December 1, the PLUM Committee voted to recommend certification of the EIR.

Photo by Larry Underhill

The City Council certified the EIR on December 4, 2009. Staff from the Conservancy attended the Council meeting to voice our opposition to the project one last time, as we had for over a year.

Knowing that the certification of the EIR was likely, the Conservancy wrote to the City Council before the meeting, asking for a condition on the certification that would require the issuance of building permits for the new project before allowing demolition of the Columbia Savings Building. This would have safeguarded against the building's pre-emptive demolition and the very real potential that the site could remain vacant indefinitely, given the current economic climate.

A number of Conservancy supporters and community members also attended the meeting to voice their concerns. Unfortunately, no one had the opportunity to address the Council. The agenda item was quickly voted on with no public discussion, despite speaker request cards submitted at the beginning of the meeting.

January 4, 2010; photo by LAC staff

Since no public comment was heard, the Council couldn't consider adding a condition to prevent pre-emptive demolition. As a result, the EIR was certified, the building's demolition began hours later, and the massive lot now sits vacant for the foreseeable future.

 
LA Conservancy
photo

Wilshire May Company
1939, A.C. Martin and Samuel Marks

This Streamline Moderne department store with its prominent cylindrical gold tower signals the western entrance of Wilshire Boulevard's Miracle Mile district. The Conservancy swung into action when the May Co. building was threatened with demolition for office towers and a hotel during the early 1990s. After successfully nominating the building for City Historic-Cultural Monument status, the Conservancy worked with County officials to ensure the building's reuse by the Los Angeles County Museum of Art (LACMA). Now LACMA West, the May Co. had a splashy reopening in 1999 when it played host to a blockbuster Van Gogh exhibit.

Photo courtesy of Julius Shulman


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