Los Angeles County Museum of Art (LACMA) | Los Angeles Conservancy
Postcard view of LACMA in 1968, from L.A. Conservancy Archives

Los Angeles County Museum of Art (LACMA)

LACMA has commissioned Swiss architect Peter Zumthor to design a new museum building to replace the original 1965 complex and a 1986 addition along Wilshire Boulevard.  As proposed, the design calls for the demolition of the three buildings designed by William L. Pereira & Associates that comprise the original portion of the campus, in addition to the adjacent Art of Americas Building (Hardy Holzman Pfeiffer, 1986). 

As early as 2001, LACMA has contemplated the replacement of its original buildings with new, state of the art facilities.  In that year, a design for a new museum facility by Dutch architect Rem Koolhaas was unveiled, though it never progressed past the drawing board.  The impetus for a new central structure at LACMA has regularly centered around the functionality of the original complex of structures designed in 1965 by William L. Pereira & Associates.  Some believe a newly designed museum building would be more efficient than the existing structures, which have been modified through the years and augmented with additions.

The Los Angeles County Museum of Art (LACMA) has been a fixture of the Miracle Mile since its opening in 1965.  LACMA was spun off from the County’s Los Angeles Museum of History, Science and Art (today’s Natural History Museum at Exposition Park) in 1961 and the newly established, art-focused museum created a modern campus on Wilshire Boulevard, just west of the La Brea Tar Pits.

Los Angeles-based William L. Pereira & Associates was commissioned to design the new museum.  As completed, Pereira’s design consisted of a complex of three pavilions arranged around a central raised plaza surrounded by an expansive reflecting pool.

The principal unit is a four-level, 85-ft high building at the west end. It is planned around a central and houses the permanent collection.  At the northeast corner is a two-story building for temporary and loan exhibits, and at the southeast corner is the Bing Center, with a library in the basement and a cafeteria and 600-seat auditorium at the plaza level. Below the plaza is a service floor serving all three buildings with an interior loading dock.

The three buildings are visually united with their matching design elements, and show the influence of New Formalism.  They are steel-framed and each surrounded by colonnades of slender concrete columns faced with split-face marble tile. A wide ramp and bridge across the reflecting pool was the main access.

Modifications to the original Pereira design and the addition of new buildings to the campus have been made through the decades.  By 1975, the expansive reflecting pool had been converted to a sculpture park.  In 1986, the Art of Americas Building (Hardy Holzman Pfeiffer) was constructed along Wilshire Boulevard, that replaced the ramp and bridge entry sequence and much of the sculpture garden.