Lawrence House | Los Angeles Conservancy
Lawrence House
Photo by Robert Lochner on Flickr

Lawrence House

Hermosa Beach's Lawrence House is a local icon of Late Modern /Deconstructivist design, not to mention the tallest residence in town. Completed in 1984, the house was designed by Thom Mayne and Michael Rotondi of Morphosis. They aimed to complement the mixed-use neighborhood by combining the volume of an apartment building with the form and feeling of a single-family home.

The four-story house is tall and narrow, with its living spaces on the top floor to maximize views of the ocean just steps away. It features simple, pure lines that emphasize its verticality and upended-rectangle shape, and is clad in zinc-coated stainless steel for an efficient, industrial look. The simple front façade conceals the gabled roof of a volume that looks like a single-family house partially encased within the Deconstructivist design.

The building's interior spaces flow into and around each other, moving ever upward (and accessed by an elevator in addition to a stairway); while some unfavorably compare the interior to an M. C. Escher painting, others enjoy its complexity and feeling of movement. Light and air are emphasized, starting with a three-story-tall entryway illuminated by glass brick. In 2002, Daly Genik Architects sensitively renovated the house to soften some interior edges without changing the heart of the original Morphosis design.

Photo courtesy Architectural Resources Group

Phineas Kappe Residence

Completed in 1956, the Phineas Kappe Residence represents one of the architect’s earliest designs, but it exhibits all the trademarks for which he would become known: post-and-beam construction, an open interior plan, patio spaces and expanses of glass to bring the outside inside, and a focus on the details of craftsmanship and materials.
Photo courtesy you-are-here.com

708 House

Once a one-story house designed by James H. Caughey for the Case Study House program in 1948, remodeled by architect Eric Owen Moss for his family and now an exuberant testament to the lighter side of the Deconstructivist style.