Stone Canyon Residence | Los Angeles Conservancy
Stone Canyon Residence
Photo by Jessica Hodgdon/L.A. Conservancy

Stone Canyon Residence

The house at 1711 Stone Canyon Road in Bel-Air is not the neighborhood’s only Mid-Century Modern residence, or even its only Richard Dorman-designed residence, but it is one of the loveliest and most intact on both counts.

Dorman was renowned for his residential designs, many of which illustrated his unconventional use of a seven-foot module instead of the standard three- or four-foot module, as well as his refinement of post-and-beam construction. The 1961 Stone Canyon residence showcases these architectural hallmarks, with its narrow wooden posts and beams strongly expressing its structure and giving the building a feeling of solidity and lightness all at once. This feeling is amplified by the use of thin wood slats as exterior cladding across the whole of the front façade, from the garage to the delicate pergola leading to the front entrance; the slats allow light in while screening for privacy, and add a complex play of shadows for visual interest. This exterior material even extends into the house, running into the entryway to create a smooth flow from inside to outside. A palm tree sprouts from the small, shielded garden next to the entrance, appearing to emerge from the roof of the house itself for a playful California touch.

Thanks to its unusual wooden cladding, this house can look both simple and complex depending on where you’re standing. It is a wonderful example of Dorman’s work and a demonstration of strong Mid-Century Modern design principles.

Photo by Hernan Hernandez

Platform Houses

Oakfield Drive in Sherman Oaks contains seventeen unusual Mid-Century Modern homes known as the Platform Houses, for obvious reasons: they are built on massive platforms that cantilever out over the edge of a steep slope, looking down onto the valley below.
Photo courtesy Architectural Resources Group

Hale House

The house that launched architect Craig Ellwood's career and the first building he designed after establishing his own practice in 1949, described as one of three seminal postwar California houses.