Museum of Contemporary Art | Los Angeles Conservancy
Photo by Michael Locke

Museum of Contemporary Art

When the Museum of Contemporary Art (MOCA) opened its permanent quarters at California Plaza in 1987, Bunker Hill was a multi-level landscape of sprouting skyscrapers. In addition to private donations, funds for MOCA came from a 1.5 % allocation of budgets from Bunker Hill development projects required to go towards public art.

Japanese architect Arata Isozaki created a contrast to the extreme heights of the Bunker Hill glass-and-steel high rise towers by designing MOCA as a sunken, red sandstone-clad space. The entrance is marked by an arch leading to a subterranean terraced courtyard. Under and around the courtyard are the public galleries. Only four of its seven levels are above the street level.

Administrative offices are located at the level of Upper Grand Street under a barrel-shaped roof. Isozaki chose forms and shapes for the building that were vaguely traditional, but mostly abstract. East Asian traditions were referenced with the play between positive and negative (building and courtyard) space. At its opening, critics derided the building's windowless, blank wall along the Grand Street sidewalk, but

Isozaki deliberately designed the building to face inward towards the California Plaza development.

MOCA remains an oasis of low-rise tranquility with a deliberately different layout from traditional museums.

Photo courtesy El Pueblo de Los Angeles Historical Monument

América Tropical

This monumental mural by acclaimed artist and muralist David Alfaro Siqueiros was deemed too controversial and was whitewashed within a few short years of its unveiling.
Photo by Jessica Hodgdon/L.A. Conservancy

Fleetwood Center

A strip mall renowned for its Cadillac facade has never been home to a Cadillac-related business, let alone a dealership.